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Maqam Lessons تَحْليلُ المَقام

Explore›Jins Rast

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Jins Rast

As a root jins of Maqam Rast

Ghannili Shwayya:

Full analysis: Ghannili Shwayya

01

Full analysis: Aruh li Meen

01

Full analysis: Aruh li Meen

09

Mawwal Rast "Kull illy Habb Itnasaf":

Full analysis: Mawwal "Kull illy habb itnasaf"

06

Full analysis: Fakkaruni, Verse 1

01

On the octave

Mawwal Rast "Fein Ya Gameel Wa3dak":

Full analysis: Mawwal Rast "Fein ya gameel wa3dak"

02

dips to 7 & 6

Full analysis: Mawwal Rast "Fein ya gameel wa3dak"

05

Full analysis: Mawwal Rast "Fein ya gameel wa3dak"

07

dips to 7 & 6

Full analysis: Mawwal Rast "Fein ya gameel wa3dak"

09

ends on 6

Ya Maal ish-Sham:

Full analysis: Ya Maal ish-Sham

07

(octave)

Dawr "Ijma3 Shufna":

Full analysis: Dawr "Ijma3 Shufna"

13

brief dip into 2nd Rast territory

14

emphasis on 9, 2nd degree above 8

15

resolution of #14

Descent from octave ending

Muwashshah "Ya Shadi il-Alhan":

Full analysis: Muwashshah "Ya Shadi il-Alhan"

12

Muwashshah "Sihtu Wajdan":

Full analysis: Muwashshah "Sihtu Wajdan"

24

Sazkar with use of raised 2nd

Full analysis: Hayrana Leh

14

use of raised 6 after Hijaz 5 to return to Rast 1

Dawr "Ijma3 Shufna":

Full analysis: Dawr "Ijma3 Shufna"

08

As a Secondary Jins

"Taheya" dance instrumental:

Full analysis: "Taheya" Dance Instrumental

28

29

30

a little Sazkar here (raised 2 of Rast)

Ba3eed 3annak :

Full analysis: Ba3eed 3annak

28

29

finally, an extended Nahawand treatment

30

prominent modified notes under Rast tonic (2 & 3)

31

lazima in bayati 1 range (1-3-5)

32

Rast 4 + Bayati 8

emphasis on octave, with a note above

33

verse ending (same as 1st verse 07-09)

34

35

35-36 different parsing of same melody in 11-14,

36

tonicizing 8 from notes underneath.

37

Nah 4 - Bayati 1

full octave descent Nahawand - Bayati; = 15-16

Full analysis: Nura Nura

11

12

"Husseini" Nahawand/ not parsing out bayati lawazim

13

Samai Bayati il-3ariyan:

Full analysis: Samai Bayati il-3ariyan

13

14

Husseini 5 (Rast)

emphasis on 5--resolving to 4 in next phrases

15

16

includes baggage underneath 2 & 3

Harramt Ahibbak:

Full analysis: Harramt Ahibbak

04

05

06

descending from flat 6

07

08

09

10

Muwashshah "Jadaka-l-Ghaithu":

Full analysis: Jadaka al-Ghaithu

01

02

03

04

alternate version of melody tonicizes 5 at end

05

06

07

08

skipping 2nd verse, on to 3rd

09

10

11

<< Previous: Introduction ^ Current Section: I. Basic Ajnas ^ Next Section: II. Jins Baggage >> << Jins Sikah Family Next: Jins Nahawand & Nakriz >>