Maqam Lessons تَحْليلُ المَقام
Analyses

The 29 Songs


This site provides a comprehensive guide to Maqam Analysis, featuring 819 audio samples of 29 songs from the Egyptian and Syrian music traditions. Designed as a complement to the article "Maqam Analysis: A Primer," it actually contains many more examples than were possible in an article, offering a more thorough elaboration of the analytical principles laid out there--as well as, obviously, the inclusion of the audio itself. The colored boxes contain the audio samples, parsed by jins--go ahead and click play! Choose your track on the left, or just start to explore analyses by maqam, the songs, the introduction, or the analysis track. Note: This site is cross-tabbed with the Network Demo site and the Rast Vocabulary site, via the navigation bar at the top of the page: e.g. Maqam Rast on this site links directly to the Maqam Rast page on the Network Demo site, and vice versa. Jins Nahawand on this site links to Jins Nahawand sentences on the Rast Vocabulary site, and vice-versa.

Each song has one home: its page opens with the interactive analysis — waveform, a clickable timeline, and the song's modulation network — with Sami's original clip-by-clip grid preserved below it. Browse the 29 below, jump in by maqam, or open the whole corpus at once.

Analyses by maqam

Here are the complete analyses organized by maqam. This site is incomplete: only about a third of the maqamat in common usage are included, and within those only Rast, Bayati, and Zanjaran are in any sense complete. The song selections were made to illustrate the analytical principles of Maqam Analysis: A Primer — with a fairly complete picture of Maqam Rast, the most central maqam of the tradition (20th century up to 1970). Zanjaran, in reality a rare maqam, is over-represented on purpose: to contrast a rarely-used maqam with very common ones like Rast and Bayati.

All 29 songs

A spectrum of Egyptian and Syrian songs, from among the most well-known in their genres — to give familiarity to those who already know Arabic music, and to illustrate the tremendous commonality of most maqam pathways — alongside some lesser-known pieces chosen to show the less common pathways.