Jins Bayati, Jins Saba, & Jins Kurd

01

05

(not parsing out Husseini Lazima)

02

melodies go down to 6th underneath tonic

24

07

09

14

prominent emphasis on 7

15

16

ending of first verse, starting instrumental of verse 2

10

11

37

also includes 3-4-5

38

39

final phrase ambiguous, leading to Saba

40

strong "tone painting" here--"I cover my tears" etc.

41

lowered 4 distinguishes this from Hijazkar 5

42

use of raised 6 to return to Rast

03

04

5-6-7 shared Bayati & Saba; ornamentation ambiguous

05

strong emphasis on 7 (3rd note above Nahawand 5)

04

Bayati 5 typical in Nahawand, not Nawa Athar

05

06

Bayati descent from its 6th degree

38

39

Like Bayati, Saba 5 occurs more typically in Nahawand

40

An unusual combo with Saba, but this establishes Nawa Athar

41

20

could also be parsed within Hijaz 5 (#21)

21

22

23

ending...

24

use of raised 6 to return

04

05

06

07