Maqam Lessons تَحْليلُ المَقام
AnalysesTaheya

"Taheya" Dance Instrumental

One of our favorite dance numbers to play with Zikrayat. Almost completely unknown by contemporary performers (which is a pity), we found it on, and learned it from, a "Legends of Belly Dance" DVD. The piece, which comes from the 1950 Egyptian film called "Shore of Love," also starring Layla Murad, features the great Taheya Carioca in a devilish performance (her character is blackmailing Layla Murad's character in the film, who is sitting in the audience for this performance). The piece itself isn't given a name, so we called it "Taheya." I haven't found information about the composer.
See the following analyses: Jins Bayati, Jins Nahawand, Jins Ajam, Jins Rast, Jins Hijaz, Jins Rast Baggage, Jins Bayati Baggage, Bayati Pathways: Nahawand & Ajam, Bayati Pathways: Rast, Bayati Pathways: Hijaz

Maqam Bayati

Composer: ??

Performer: Egyptian film orchestra of 1950

"Taheya" dance instrumental (complete recording)

Original clip-by-clip analysis · 34 clips

01

goes up to 5 in final phrase

02

Husseini is the unresolved emphasis on 5 starting this melody

03

repeating the last few notes of #02; descent from 6

04

07

Melody descent, starting with Husseini emphasis (= #02-03)

08

09

full-octave descent through both ajnas

10

including baggage underneath, 7 - 6 - 7 - 8

11

use of raised 6 above Rast to descend

13

14

16

a.k.a. Ajam 3. Calling it Jiharkah b/c of position in Bayati

17

opening Ajam emphasis; same as #14-15

18

a.k.a. Jiharkah 3; same as #16. intervallically Ajam, not Jiharkah

19

descent from 6

20

starts on 6, although admittedly tonicization not strong

22

again, Ajam not very strong here. could parse just as Nahawand

27

about to resolve down to Rast 4 in lower octave

30

a little Sazkar here (raised 2 of Rast)

31

resolution down

32

going up to 5